Published on The Reading Nook on July 4, 2024
About the Book:
What happens when one day, without any warning whatsoever, your secure corporate job suddenly becomes precarious? And all of your professional duties get taken away, leaving you with nothing but repetitive, mind-numbing tasks?
Sarah Morris, a 49-year-old editor at a Toronto book publisher, finds herself in this predicament when her company reorganizes after the 2008 Recession. Her boss Gillian Martin reassigns her editing duties, unofficially demoting Sarah and two of her co-workers, who are now expected to spend their days doing mind-numbing, repetitive tasks. When her co-workers leave the company to pursue better opportunities, Gillian dumps all of their data entry tasks on Sarah and pressures her to complete an ever-growing mountain of work in less and less time, while taking away her right to paid overtime.
At first, Sarah is afraid to face the truth; she tells herself that she will get her old job back once the economy improves. But when Gillian starts bullying her, she realizes that her company doesn’t have her best interests at heart and that she’s been pigeonholed into a dead-end job.
Excerpt:
CHAPTER ONE
Effective October 4, 2010, the roles of Sarah Morris, Caleb Elliott, and Ramona Duvall will be changing…
Bullshit! This company isn’t “changing the roles” of Caleb, Ramona, and me; it’s taking our roles away, destroying our livelihoods, our very careers. It’s taking away the work we were hired to do—editing authors’ manuscripts, turning them into polished books—and farming it out to freelancers, a nameless and faceless army with no connection or loyalty to this company. Thanks a lot.
I stare at the email on my computer screen, my mind suddenly flooded with questions.
Why on earth did the company do this to me? Maybe it’s my age. I’m forty-nine, practically a wizened old geezer as far as the business world is concerned. Or maybe I’ve just been at this company too long—twenty-one years, to be exact—and they’re sick to death of me. Or maybe the reason is a lot more personal; my boss, Gillian, has never really liked me. And nine years of slaving under her dictatorship, swallowing her mean-spirited comments while trying, over and over and over again, to please her, haven’t changed her mind, not one iota.
Hmm, do I still even have a job at all? I scan the email, trying hard not to panic. Oh, yes, it looks like I do: Caleb, Ramona, and I will be “processing” documents. Meanwhile, the two women who have been doing all the “processing” for our department will be leaving the company next Friday “to pursue exciting new opportunities.” Exciting new opportunities? On this planet? The last time I watched the news, millions of people were pounding the pavement, looking for work. And Quill Pen Press will save a ton of money once these employees have been kicked out of their jobs and their work has been dumped on Caleb, Ramona, and me.
I want to bash my fist through the screen, strangle the smug words in front of me.
…job titles will not be changing…
Translation: We get to keep our now-empty job titles. From now on, the three of us will be called “editors,” but we will no longer be real editors, just glorified data entry clerks with a fancy name. From now on, the three of us will be spending our days doing hours and hours of mindless, soul-sucking drudgery, pulling data off the Internet, formatting it into documents, tagging the documents. The ugly truth is, we’re being demoted, demoted by a cowardly and sneaky company that doesn’t have the guts to tell us what’s really going on. A company that no longer allows us to edit books, a company that no longer values our minds, our skills, our ideas, our knowledge. A company that no longer allows us to think at work. A company that no longer gives a shit about us.
Right now, I feel so hurt and angry and betrayed, I want to scream.
Farther down, toward the bottom of the screen, the news gets even worse:
Derek Witowsky will continue in his role as Manuscript Editor, working with authors…
Translation: Derek and the nameless and faceless freelance editors will be the only people who will be allowed to edit books at Quill Pen Press.
Of course Derek will continue in his role. He was always “smarter” than the rest of us editors, never failing to point out our mistakes to Gillian (even though we were too polite to point out his), forcing his way of doing things on us (even though the way we had been doing things worked perfectly well), shooting down our ideas at department meetings. Derek has always been the boss’s “pet.” She wouldn’t dream of demoting someone as wonderful as him.
Gillian Martin will continue in her role as Head of Editorial.
Of course she will. Gillian has always been brilliant at promoting her own selfish interests. A political animal through and through, she’s a whiz at bullying subordinates, quick to point out their tiniest, most insignificant errors while withholding praise for outstanding work. Unless, of course, the subordinate’s name happens to be Derek Witowsky, in which case the rules are entirely different. Obviously, Gillian—who had considerable input into the decisions behind this email, collaborating with the other managers in an endless string of meetings behind closed doors—cast the three unlucky editors working for her aside to protect her own job and the career of her precious mentee. And it’s obvious that Gillian didn’t think my own career was worth protecting.
All employees are invited to an Information Session in the boardroom at 10:00 a.m. today. We will explain our new corporate strategy and answer your questions. Coffee and donuts will be served.
Coffee and donuts? Big deal. I glance at my watch. It’s almost 10:00 now. Around me, dozens of employees, their faces full of worry and fear, their loud voices blending into dozens of conversations, are spilling into the hallway, anxiously awaiting their fate in the boardroom. Screw it. I’m not going.
Sighing, I turn back to the computer screen, glowing coldly and harshly at me, and start to close the CEO’s email. Then a string of words—somehow I missed them—leaps out at me from the first paragraph:
Quill Pen Press will be transitioning to meet the more challenging marketplace of the 21st century…
Translation: The company is making these drastic changes because it’s losing a lot of money in this economy, a horrible economy full of unemployed people struggling to stay afloat. And unemployed people who are struggling can’t afford the luxury of snapping up the latest novels, biographies, how-to books, or anything else this company publishes.
I pause, my hand still clutching the mouse, take a deep breath, and try to calm down. I still have a job. And I’m taking this way too personally. What’s happening to me is also happening to some of my coworkers. It’s all about money: the worldwide economy is in the toilet, and the company is trying to stay afloat. It has to lay off staff and reassign the work to the remaining employees just to survive.
I loosen my grip on the mouse and look away from the comput- er screen, trying to blink the blurriness out of my eyes. By now, the office has emptied out, save for a few stragglers. I should join them, rush down to the info session.
But I don’t. I can’t. I have to find out what’s really going on. I have to speak to Gillian. Now.
I head down the hall toward Gillian’s office, knowing that she rarely bothers to show up at these boring info things, so there’s a very good chance I’ll find her there.
Her office door is closed, thank God. But my heart starts to pound.
I just have to calm down. And there’s no reason to be scared. The volume of short stories I edited a few months ago is selling well; it’s even earned several five-star reviews on Amazon. Gillian seems to be happy with my work; not long ago, she gave me a glowing performance review. Okay, she did keep Derek in a cushy job, but maybe that’s just common, subconscious, garden-variety sexism on her part.
My heart stops pounding. I knock softly on the door.
No answer.
Before I can knock again, the door flies open. There she is, tall, big-boned, plumpish, and mid-fortyish, dressed in a flamboyant royal purple wrap dress, glaring down at me with her brilliant blue eyes.
Suddenly, I feel underdressed in my black 1940s wool crepe peplum jacket and knee-length camel wool flannel pencil skirt, my brown hair styled in a boring, chin-length bob.
Brushing her dark, glossy, shoulder-length hair away from her face, she rasps, “There’s an important information session in the boardroom right now.”
“I know,” I begin in a shaky voice as I try to pick out the right words. “I have to talk—”
“You must take these meetings a lot more seriously, Sarah. It’s your job to go to them.”
If these meetings are so “important,” then why aren’t you at this meeting, Gillian?
“Why did you demote me, Gillian? Why?”
Oh, my God, I said it! I actually said it! No lame attempt at small talk, just a bald, angry accusation.
Gillian is speechless. For a moment, she stares at me with a blank expression. Then she beckons me into her office and shuts the door.
She sinks down on the thick, luxurious black leather recliner behind her gigantic desk, cluttered with paper, books, manuscripts, paperclips, and other flotsam and jetsam, and I seat myself on the smaller, less comfortable chair opposite her.
“Look,” she begins in a calm voice, “you weren’t demoted. You have the same salary, the same job title.”
The same job title but not the same job.
“Then why can’t I do the work of a real editor anymore? Why do I have to spend all my time on tagging documents, on cutting and pasting data? That’s not editing, Gillian. It’s data entry work.”
Gillian sighs, exasperated. “Is that why you’re not at the info session?” She furrows her brow. “Look, this wasn’t my idea.”
“But didn’t you have some input?” No answer. “Weren’t you happy with my job performance? Did I do something wrong? Please tell me.” “I would have told you if you had done something wrong,” Gillian responds, shaking her head. “Besides, I gave you a really good performance review just a month ago. Don’t you remember?” She gave me a fabulous review! Maybe she had nothing to do with my demotion. Still…something doesn’t quite add up.
“You didn’t change Derek’s job,” I blurt out, deliberately brushing off her words.
“I had to keep somebody.” Gillian’s voice is rougher, spiked by impatience. “The company hasn’t been doing well since the recession started a couple of years ago, and it needed to reorganize. That’s why your job—why some employees’ jobs—were changed.”
“But how does the company save money by taking my responsibilities away, Gillian? They still have to pay freelancers to do the work.”
Gillian pauses. It’s obvious that she has run out of answers. “I don’t know, to tell you the truth,” she mutters.
She doesn’t know? Is she saying that she had nothing to do with the decision to demote me?
“Is there any chance I could move back into my old job if the company starts making money again?” I probably could. After all, Gillian was happy with my work in the past.
She sighs. “Why don’t you give this new job a chance? You might end up liking it.”
Translation: If you try out this new job and like it, great…
“And you’re welcome to drop by any time to chat,” she smiles. “My door is always open.”
Translation: …but if you don’t like your new job, you can discuss it with me.
And maybe I can talk her into giving me my old job back. “Okay, Gillian,” I reply, returning her smile. “I’ll give it a try.” I rise from the chair, tension draining from my chest, and stroll out of the office, gently closing the door behind me.
Looks like I was wrong about Gillian. She really does care about me, after all; she even invited me to drop in on her whenever I want to. And if I’m not happy with my new job, I’ll just speak to her. I return to my desk—now surrounded by a sea of empty desks— sit down and reach into my blue nylon bag for something to eat. It’s empty, except for a stale-looking apple, its skin a faded red covered in brown specks. I bite into it anyway.
Okay, maybe Gillian will help me, maybe she won’t. Either way,
I won’t be stuck in this new job forever. This recession will be over with by next year. And once the economy picks up and Quill Pen starts making money again, I might be able to return to my old job. If not, I’ll look for something else. I just have to hang in there.
Copyright 2024 by Kathleen Jones-Lepidas
Author Interview:
1: Tell us a little about yourself and what got you in to writing?
For thirty (long) years, I toughed it out in the corporate world, chiefly as an editor for various Canadian book publishers. Sometimes, I had the opportunity to do work I enjoyed, but too often, I didn’t. Towards the end of my career, the type of work that interested and challenged me began to slip away, and I became less and less happy.
Then one day, I realized something: creative, out-of-the box thinkers like me don’t belong in the corporate world, and if I wanted “meaningful” work, I’d have to create it for myself.
That was when I decided to pursue the only work that I’d ever really wanted to do since I was a child: the work of a novelist!
2: Do you have a favourite time and place where you write?
I like to write on the couch in my living room on quiet weekday afternoons.
3: Where do your ideas come from?
Most of my ideas come from my personal experiences and observations. Of course, I only use those elements as starting points; most of my writing is purely fictional.
4: Do you have a plan in your head of where the story is going before you start writing or do you let it carry you along as you go?
I start out with a simple idea, expand that idea into a plot, then flesh out the plot by writing a long, chapter by chapter outline. But I don’t always stick to the outline; instead, I add to it, change it, take out parts that don’t seem to be working.
5: What genre are your books and what drew you to that genre?
My novels are too original and unconventional to fit neatly into single genres. For example, my first novel, Love Is the Punch Line, an offbeat, midlife romance set in the world of standup comedy, fits into two genres, romance and literary fiction. My new novel, The War on Sarah Morris, deals with a middle-aged woman’s struggle to stay employed in a toxic corporate environment. It also fits into a couple of genres: literary fiction and women’s fiction.
6: What dream cast would you like to see playing the characters in your latest book?
Amy Adams would be a great choice for the title character in The War on Sarah Morris. She’s such a talented and underrated actress!
7: Do you read much and if so who are your favourite authors?
I read almost every day! I read all types of books (fiction and non-fiction), magazines, newspapers, even websites. My favourite authors are Claire Messud, John Irving, Carol Shields, Margaret Atwood, Marilyn French, Miriam Toews, and Douglas Cole.
8: What book/s are you reading at present?
Right now, I’m enjoying Caliban and the Witch by Italian-American feminist Silvia Federici. The book deals with the experiences of women during the transition to capitalism from the late Middle Ages to the witch hunts.
9: What is your favourite book and why?
My favourite book is Marilyn French’s novel The Women’s Room. I strongly identified with the main character’s struggle to carve out an independent life and identity.
10: What advice would you give for someone thinking about becoming a writer?
I would advise an aspiring writer to do the following: read well-written books; research the book business (publishing, sales, etc.) online; set up a social media platform (including an author blog); network with other authors; hire a professional editor and a proofreader to polish your manuscript before you submit it to agents and book publishers.
11: What are the best Social Media Sites for people to find out about you and your work?
Author site: https://kathleenjones.org
Goodreads: www.goodreads.com/author/show/17498110.Kathleen_Jones
LibraryThing: www.librarything.com/profile/Kathleen.Jones
Twitter: https://twitter.com/joneslepidas
Facebook: www.facebook.com/kathleen.lepidas
LinkedIn: www.linkedin.com/in/kathleen-jones-lepidas-csc
BookBub: www.bookbub.com/profile/kathleen-jones-3d442fae-1cd5-4404-be1b-cdf1ee8309f5
About the Author:
Kathleen Jones was born in Windsor, Ontario, Canada and graduated from the University of Toronto with a degree in English literature. For thirty years, she toughed it out in the corporate world, chiefly as an editor for various Canadian book publishers. Sometimes, Kathleen had the opportunity to do work that she enjoyed, but too often, she didn’t. Towards the end of her career, the type of work that interested and challenged Kathleen began to slip away, and she became less and less happy.
Then one day, Kathleen realized something: creative, out-of-the box thinkers like her don’t belong in the corporate world, and if she wanted “meaningful” work, she would have to create it for herself.
That was when Kathleen decided to pursue the only work that she’d ever really wanted to do since she was a child: the work of a novelist!
Today, Kathleen is a full-time author who writes for a number of popular book blogs. She also contributes monthly book reviews to Goodreads. She lives in Toronto, Ontario, Canada.
Kathleen Jones, The Quirky Novelist 
